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In that way, Demon Days is the rare album that paradoxically disorients you into hyperfocus like journeying through a snowstorm. Youth choirs sound angelic while carrying an ominous message of children being bred to be soldiers on “ Dirty Harry.” “O Green World” sandwiches a sorrowful yearning for a return to better times between a harmony of computer beeps, white noise static, and chanting that sounds more like the end of a dance party rather than the end of the world. Nothing is as it seems on the album and familiarity is a landmine waiting to blow your expectations away with what usually comforted. The world crafted in Demon Day s is infused with that same ethos. It also sounded like a dystopian dance party thanks to Gorillaz’s seminal sophomore album Demon Days, because dancing through an apocalypse may be the only way to get people to focus on the ridiculousness their world had become.įor more than 20 years, Gorillaz has mostly existed as a four-person animated electronic band for Blur frontman Damon Albarn to experiment without being the face of the results. It sounded like the cries of global warming being a bigger threat to humanity than what that same President went to war over. By 2005, it sounded like a United States President announcing “ mission accomplished ” for a war far from over.